A sloping, polished front facet gives a view onto soft-hued, pale-blue & white wild flowers arranged with a single, shaded-pink flower. It’s a 2-layer design, with the flowers set against tall green & brown leaves and grasses. 2 signature canes at the base of the flower stems identify Allan’s lampwork and Shona Spittal, who encased the design. The small, circular, polished base is inscribed, signed and dated: Elegy (Trial) Allan Scott 2009.
